The secret dark side to the classic ‘Mary Poppins’

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Far from being practically perfect in every way, Julie Andrews once put a bumper sticker on her car which said: “Mary Poppins Is A Junkie.”

It was a jokey, failed bid to banish the sugary-sweet reputation she had been stuck with because of the role — but if she had actually told the truth behind the classic movie, she might have succeeded.

The actress shocked the children in the film with her swearing and by smoking on set — while co-star Dick Van Dyke was an alcoholic who struggled with suicidal thoughts even as he danced around singing “Chim Chim Cher-ee.”

Meanwhile, the writer of the original Poppins novels was at war with the film’s producer Walt Disney, obsessed with the occult, dogged by claims of racism and accused of ruining the life of her adoptive son.

Later Matthew Garber, who played the joyous young Michael Banks in the 1964 box-office smash, died tragically at the age of 21 after contracting hepatitis in India.

Despite it all, the 1964 film remains a beloved family favorite — and a sequel, “Mary Poppins Returns,” opened on December 21 starring Emily Blunt as the carpet bag-toting nanny.

Karen Dotrice, now 63, who played young Jane Banks in the first film, is not surprised at its treasured status. She says that despite what went on backstage, the whole cast realized they were involved in something special.

She said: “We started to feel like one big family and that we were all making something fun together that felt really magical.”

But she still remembers her shock as an eight-year-old at seeing Andrews, then 28, in full prim Edwardian nanny get-up — with a cigarette and exchanging blue language with the crew.

Dotrice added: “There was swearing. Julie Andrews was smoking on set. It was a very real 1960s set, I can tell you. They were polite around minors to begin with, but that soon ended.”

Van Dyke has admitted that he was an alcoholic at the time playing chimney sweep Bert, and would turn up for shoots suffering from the night before.

The actor said: “I would go to work with terrible hangovers, which if you’re dancing is really hard.”

Van Dyke, 37 at the time of filming and now 92, also revealed booze led him into dark bouts of depression, revealing: “I was in deep trouble, you get suicidal and think you just can’t go on.”

However, he does not blame booze for the most infamous part of his performance, the Cockney voice which still tops lists as the worst accent in the history of cinema.

For that, he blames, among others, Andrews.

He once explained: “I was working with a cast of almost all Brits and neither Julie nor anyone else ever said, ‘You know, you ought to work on that accent.’”

Meanwhile, he was well aware that on the sidelines, P.L. Travers — the writer of the Poppins books — was not happy with the casting of either himself or his co-star.

He has said: “She hated Julie and she hated me.”

In fact — as described in the 2013 film about the making of the movie, “Saving Mr. Banks” — Travers hated pretty much everything to do with the adaptation, which went on to win five Oscars.

For 20 years she had sent Walt Disney packing every time he had tried to buy the rights to her stories — and when she finally gave in, she regretted it bitterly.

Her own Poppins character, who first appeared in a novel in 1934, was cold, intimidating and given to making pronouncements with “a superior sniff.”

And yet here the nanny was, sweet, smiling, lovey-dovey and dancing with animated penguins. She saw it as an insult.

After the premiere, Travers told Walt Disney, “All the animation has to go,” not realizing it was too late. The mogul put her right, saying: “Pamela, the boat has sailed.”

Travers got her revenge by refusing him permission to make a sequel — even reportedly specifying in her will that “no Americans shall ever be granted permission to work on a Poppins project ever again.”

She died in 1996 — and Disney is now behind the new film, with the approval of her estate.

Ironically, the movie was a passion for Disney and the books a passion for Travers for the same reason — troubled childhoods.

Dotrice told The Sun: “P.L. Travers’ father was nasty to her. Walt Disney had a horrible relationship with his father.” The mogul saw the story as a fantasy about children transforming a cruel father — like his own — into a loving one.

As a result, he changed the character of Mr. Banks from the kindly one in the books to cold and distant.

And his painful memories of being an unhappy child — forced to get up at 4:30 a.m. to deliver newspapers in the snow — also made him determined to treat the child stars in Poppins well.

Dotrice recalled: “I learned the reason why Uncle Walt was so nice to me and my family is because he didn’t want another eight-year-old to have the s—-y experiences he’d had.”

Travers had seen the character of Mr. Banks as a chance to bring back the bank manager dad she had idolized but who had died of alcoholism when she was seven.

She was appalled that he was now being made into a villain.

Born Helen Goff in the wilds of Queensland in 1899, Travers moved to England aged 25.

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